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Lisa
- Rate R2039
- Response 1h
-
Students50+
Number of students Lisa has accompanied since joining Superprof
Number of students Lisa has accompanied since joining Superprof

R2039/h
Unfortunately, this tutor is not available
- Acting
Experienced tutor in Acting in Pine Bush, Lisa offers private lessons tailored to your needs.
- Acting
Lesson location
Recommended
Lisa is a respected tutor in our community. She is highly recommended for her commitment and the quality of her lessons. A trusted partner on your learning journey.
About Lisa
My acting coaching and voice work focus on identifying and personalizing a character's driving intention and need, and helps actors connect their body, voice, mind and spirit through a series of playful explorations and practical methodologies. Working with me, you will develop a toolbox of tools to help navigate the work in a playful, but rigorous way.
Check out my website for more information at: (concealed information)
Lisa Rothe is a NYC based freelance theater director, acting /vocal coach and educator. She was nominated for SDC's Joe A. Callaway Award for Direction for Hold These Truths by Jeanne Sakata, produced by Epic Theatre Ensemble in NYC. The play was also nominated for a Drama Desk award for Best Solo Performance by actor Joel de la Fuente and the Tony Award winning TheatreWorks/Silicon Valley production recently won 3 Theatre Bay Area Awards for Outstanding Direction, Outstanding Performer and Outstanding Production. Other productions at The Cultch Historic Theatre in Vancouver, Barrington Stages, The Guthrie Theater, ACT in Seattle, Playmakers Repertory Theatre, the Honolulu Theatre for Youth, the SoloNova Festival in NYC, and was produced by Hang A Tale at the Sheen Center in NYC.
Most recently the Director of New Works at Kansas City Repertory Theatre, Lisa was thrilled to produce the 4th annual Origins KC New Works Festival in 2019 and was in the process of producing the 5th Festival in March 2020, when it was canceled because of social distancing precautions due to COVID-19 . Alongside Angel Desai and Grace Zandarski, she has been a co-Artistic Director of The Actor's Center in NYC for the past three years. Lisa is also a recent co-President of the League of Professional Theatre Women, is on the Artistic Advisory Council of Epic Theatre Ensemble, on the Advisory Boards of Houses on the Moon and the Detroit Public Theatre, a Usual Suspect with New York Theatre Workshop, an Artistic Affiliate and Audrey Fellow with New Georges, a Drama League alum, a fox Fellow alum and a member of the National Theater Conference. Lisa received her MFA from NYU's Graduate Acting Program and was subsequently invited by mentor and teacher Zelda Fichandler to be part of the inaugural year of NYU's Directing program for alumni of the MFA Acting program. She also studied with the legendary Joseph Chaikin in his workshop for actors and directors.
Lisa has workshopped, developed, and directed hundreds of new works with multiple award winning writers. In New York, she has developed and presented work at HERE, NYTW, New Georges, The Lark, The Culture Project, The Foundry, Ensemble Studio Theater, The 52nd Street Project, Naked Angels, Epic Theater Ensemble, Summer Play Festival, among others. As the Director of Global Exchange at The Lark in NYC for over five years (2010-2015), she provided expanded opportunities for playwrights, aimed at advancing new work to production, both nationally and globally (facilitating reciprocal translation programs with China, Mexico, Romania & Russia).
Some favorite recent directing work: Steel Magnolias at The Guthrie Theatre, Fun Home and Cat on a Hot Tin Roof at Kansas City Repertory Theatre, Amber Waves by James Still at Indiana Repertory Theatre, In My Chair, written and performed by Eva DeVirgilis at Virginia Repertory Theatre/Cadence Theatre, WIld Abandon, written and performed by Leenya Rideout at the Irish Repertory Theatre, Sooner/Later by Allyson Currin at Cincinnati Playhouse, and Confederates by Suzanne Bradbeer at Theatreworks (nominated for 8 Bay Area Critics Circle Awards).
For over two years, Lisa was the voice of TJ Maxx. She also recorded national and regional spots for Sprint/Nextel, Medicaid, Lycra, Rheumatoid Arthritis, and Wake Forest University Baptist Medical Center, as well as books on tape, and stories for Vermont Public Radio.
Lisa was raised in Dundee, Illinois and before a commitment to theater, she took a detour into the world of biomedical engineering at the University of Iowa, where she developed a Chekhovian theater company in the lounge of her dorm. So much for engineering.
Lisa's guiding principle is 'helping people access their voices in creative ways on a global scale' and tends to be drawn to intimate stories about people who are discovering their voices and have big things to say. She has a passion for developing and directing new plays, reinventing the classics, and is a fierce advocate for women and telling their stories. In her coaching work, Lisa focuses on helping people connect their body, voice, mind and spirit through a series of playful explorations and practical methodologies to help present themselves in the most grounded and authentic way possible.
Right after graduate school at NYU, I started teaching acting and voice. It is one of the reasons why I wanted to get a masters degree. So, I could teach.
MFA in Acting: New York University
BFA in Acting: University of Evansville
About the lesson
- All levels
- English
Languages in which the lesson is available :
English
Everyone learns differently, so I like to meet with students (via phone, Skype or Zoom) for a free 15 minute consultation, to learn more about who they are, what they are hoping to learn and what they are looking for in a teacher. And then if we decide we want to work together, I develop a personalized lesson plan to help the student take positive steps toward their goals.
All kinds: older, younger, experienced, newbies.
Reviews
All the reviews collected from students are verified by our team. They are therefore reliable and correspond to a real experience with Lisa.
Perfect! Lisa in just two lessons had help me tremendously !! I’m so blessed to have her as my coach !! I’m so excited to continue working with Lisa and to experience her excellent guidance to continue growing in my craft. I highly recommend Lisa as a Coach !!
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Recommendations
Recommendations are written by the tutor's friends, family, and acquaintances.
I have been working with Lisa for some time now. She's brought a level of professionalism to my efforts - through her relaxed, but exceptional teaching methods. She combines the best of personal attention with the expectations of a professional instructor - who not only teaches fact, reason, and process - but by encouraging emotion. Then, she makes clear - just where and how those emotions should be placed and spoken - within my work.
Lisa was a phenomenal teacher. Her empowering and insightful coaching pushed me to ground myself, to connect with my breath, to explore fearlessly, and to carve more specific actions. Our sessions together opened an authenticity that I had not yet found in my work
Lisa has transformed every piece I’ve brought to her. After leaving one of her coaching sessions, I always feel more confident to perform my material with the most exciting, truthful, and nuanced interpretation that Lisa helped me find.
isa is absolutely wonderful! She provides a safe, open environment for you to explore and play with zero judgment. Lisa's guidance during my graduate school audition process made the whole experience less daunting and less overwhelming. Through her warmth and generosity, I was taught to approach my work with fervor, joy, and heart. She works tirelessly to ensure that your audition pieces are right for you and that you are shining through each one. I walked into the audition room proud to share the work I had done with Lisa, confident that I was presenting the best version of me. There is no question that my acceptance into Brown University's MFA acting program would not have been possible without Lisa's brilliant insightful coaching.
Lisa believes infectiously in her students and her heart is gently and powerfully available. I find myself centered when I work with her, truly able to expand creatively and to find truth and beauty in ways I hadn't discovered before meeting her. The effects of her coaching live in me outside of the sessions as well, inspiring me to dig deeper on my own and expand on ideas discovered through work and conversation. The encouragement by Lisa to open and balance a little bit more each time has lead to discoveries that are genuine and full. She is a trustworthy guide who loves the work and gives permission to fall in love with it too.
Lisa is an amazing teacher and coach. From the moment she walks in the room, she creates an atmosphere that is supportive, professional, and fun. I feel like her classes are full of possibility. Her compassion for actors, her intelligence, and her leadership skills all create a space safe for risk, powerful dialogues, and personal growth. I've come to see her class as more than just a place to practice; it's an artistic home and a creative community where I can get back in touch with the reasons I got into this work in the first place. I cannot recommend her enough.
When Lisa Rothe teaches an acting class she channels the pedagogical genius of her teachers and mentors: Ron Van Lieu, Zelda Fichandler, Paul Walker. She is incisive and empowering at the same time. She projects internal calm as a teacher and inspires passionate energy from her students. Take her class. Change your life.
One of the greatest gifts Lisa Rothe has given me is the gift of letting go. She gave me the permission to leave myself alone and to just be. When I came to her, I was busy trying to be someone else. The someone who I thought everyone wanted me to be. Lisa taught me to be both confident in what I know and when faced with something I didn't know, to run fearlessly towards it. She allowed me to just breathe--both as an actor in this business and as a person living in this world. As August Wilson said: 'Before one can become an artist one must first be. It is being in all facets, its many definitions, that endows the artist with an immutable sense of himself that is necessary for the accomplishment of his task. Simply put, art is beholden to the kiln in which the artist was fired.' I am filled with immense gratitude towards Lisa and will always feel in her debt.
Lisa was a huge help in preparing me for my first lead role in a film. By an odd turn of events I found myself cast in a lead role in a film in Afghanistan by a very famous Afghan director. The missing part for me is that I had not acted in many years. Lisa's name came to me through a friend and Lisa was kind enough to take me into her class and work with me to loosen up whatever part of me thought I could still do this. She is incredibly open and perceptive and has just the right balance of support and force to make me feel comfortable while at the same time challenging myself. It all worked out really well as far as the film and her class gave me the confidence to trust myself while I was on the set and had no acting teacher except the merciless Afghan desert.
Lisa coached me for a few film roles. Since you don't have the benefit of rehearsal in film, everything has to be prepared and worked on ahead of time, and you have to be ready to roll with whatever happens on the day. Lisa helped me delve into the specifics of the character and also guided me towards a practical set of circumstances to put in my belly on set so that the scenes could soar over and over again. She inspired me to be brave enough to dig deeper, and all the while she made me feel safe. Her gentle, grounded intelligence and her obvious passion for the creative process made my collaboration with her invaluable.
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Rates
Rate
- R2039
Package rates
- 5h: R10195
- 10h: R20390
online
- R2039/h
Details
I know people are more financially challenged these days because of COVID, and so I would like to honor that and am willing to work within your budget. Let's talk about it.
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