Daniel pierre - Flute tutor - New York
1st lesson free
Daniel pierre - Flute tutor - New York

One of our best tutors. Quality profile, experience in their field, verified qualifications and a great response time. Daniel pierre will be happy to arrange your first Flute lesson.

Daniel pierre

One of our best tutors. Quality profile, experience in their field, verified qualifications and a great response time. Daniel pierre will be happy to arrange your first Flute lesson.

  • Rate R658
  • Response 2h
  • Students

    Number of students Daniel pierre has accompanied since joining Superprof

    11

    Number of students Daniel pierre has accompanied since joining Superprof

Daniel pierre - Flute tutor - New York
  • 5 (28 reviews)

R658/h

1st lesson free

Contact

1st lesson free

1st lesson free

  • Flute
  • Saxophone
  • Clarinet
  • Recorder

Online Saxophone, Clarinet, Flute & Recorder Lessons | Start Playing Songs Quickly | 5-Star Rated Teacher | Audition & Exam Prep | 20+ Years of Experience

  • Flute
  • Saxophone
  • Clarinet
  • Recorder

Lesson location

Ambassador

One of our best tutors. Quality profile, experience in their field, verified qualifications and a great response time. Daniel pierre will be happy to arrange your first Flute lesson.

About Daniel pierre

Hello, I’m Daniel — a 5-star rated international music teacher of saxophone, clarinet, flute, and recorder, with over 20 years of experience in teaching and professional performance.

I help students of all levels, from complete beginners to advanced players, make steady progress and build strong musical foundations.

I also prepare students for auditions, exams, and conservatory entry, with focused work on repertoire, technique, sight-reading, and performance confidence.

I teach online music lessons to children, teenagers, and adults, from complete beginners to advanced players. Whether you are starting from scratch, returning to music after a break, or looking to improve your technique, my lessons are adapted to your level and goals.

I come from a family of classical musicians. My grandfather was a musicologist and conductor in Germany, my father performed in a symphony orchestra for over 25 years, and my aunt directed a music conservatory for 30 years. Music has been part of my life from an early age and shapes my teaching approach today.

My teaching style is patient, structured, and supportive. I focus on correct technique, sound production, musical understanding, and steady progress, while keeping lessons enjoyable and motivating.

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About the lesson

  • All levels
  • English

Languages in which the lesson is available :

English

I offer online saxophone lessons, clarinet lessons, flute lessons, and recorder lessons for children, teenagers, and adults worldwide.

I offer a package of the first 5 lessons at $40 per lesson, and after that, the price increases to $52 per lesson.


With a Bachelor of Music in Classical Performance and more than 20 years of teaching experience, I guide students toward correct technique, healthy sound production, rhythm, and musical expression. I have performed internationally as a soloist and ensemble musician and have worked with students from many different backgrounds.

Lessons are taught one-on-one online and are fully personalized. Whether you are a beginner, returning to music, or looking to improve your skills, I focus on steady, correct progress and enjoyable learning. Online lessons allow flexibility, comfort, and effective practice from anywhere in the world.

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Rates

Rate

  • R658

Package rates

  • 5h: R3291
  • 10h: R6581

online

  • R856/h

free lesson

The free first lesson with Daniel pierre allows you to get to know the tutor and discuss your needs and expectations.

  • 30min

Daniel pierre's video

Find out more about Daniel pierre

Find out more about Daniel pierre

  • When did you first develop a passion for music and your instrument?

    I grew up in a family of musicians. Even while I was still in my mother’s womb, I was listening to Mozart, Beethoven, many other classical composers, and jazz music at home and at concerts where my father performed.
    My father was a professional oboist in the Israeli National Chamber Orchestra, but he was also a saxophonist. While studying for his bachelor’s and master’s degrees at Juilliard in New York, my father's dream was to become a jazz saxophonist.
    I heard my dad play the saxophone a lot at home and during holiday events he produced for the community at our kibbutz in Israel. At the age of 13, after giving up on the cello, I asked him to teach me the saxophone. He let me play his vintage alto saxophone, which I still play and teach with to this day. That’s how my first passion for the saxophone began.
  • Is there a particular type of music or artist that you listen to on a loop without it driving you crazy?

    When I’m mopping the floor, washing dishes, cooking, or just relaxing with my girlfriend in the evening, I can listen for hours to saxophone solos by John Coltrane, Cannonball Adderley, and Gerry Mulligan.
    I imagine their solos as casual conversations they’re having with their friends—and with me. I invent dialogues and monologues in my head that take place within the solo. It keeps me engaged, develops my imagination, relieves boredom, and makes me feel like they’re speaking directly to me.
  • Explain to us the most difficult or riveting course you could personally give to a student of music.

    Preparing a classical piece for a saxophone audition—such as Alexander Glazunov: Concerto in E-flat Major, Op. 109 for Alto Saxophone and Orchestra—can be one of the most difficult, fascinating, and challenging courses I could offer a student.
    If the student is truly preparing to perform the piece as a soloist with an orchestra, the challenge becomes even greater. Preparing students for solo concerts on flute, clarinet, or recorder can be just as demanding and rewarding.
  • What do you think is the most complicated instrument to master and why?

    Each of the instruments I teach is complex to fully master when you aim for a high professional level.
    On the saxophone, the main difficulty is playing softly, especially in the low register.
    On the clarinet, the challenge lies in the throat tones and the transitions between octaves.
    On the flute, it is difficult to play with the same intensity and control across all registers.
    On the recorder, the main challenge is breath control, since it is extremely sensitive to changes in airflow.

    If I had to choose one instrument that is the most difficult to fully master at a high performance level, it would be the clarinet, because the transitions between the first and second octaves are particularly demanding and require a very high level of technical skill.
  • What are your keys to success?

    My keys to success are, first and foremost, humility—understanding that you don’t know everything and that there is always something to learn from others—along with hard work, perseverance, and a constant striving for excellence.
  • Name three musicians you dream of meeting in your favourite bar in the early hours of the morning. Explain why.

    I’m not really the type who goes to bars in the early hours of the morning, and I’m quite cautious around drunk people, especially in the city rather than in my kibbutz community, where I know everyone.
    But if I had to choose musicians I’d dream of meeting in a bar late at night, they would be female singers I deeply admire, such as Blondie (Deborah Ann Harry), Anni-Frid Lyngstad from ABBA, and James the Seventh who sings Trauma Olympics.
  • Provide a valuable anecdote related to music or your days at music school.

    I didn’t originally plan to pursue a bachelor’s degree in music, but my saxophone professor suggested that I join the Jerusalem Saxophone Quartet—an internationally recognized ensemble—while I was serving in a special talent role in the army.
    The condition for joining the quartet was to be a student at the Jerusalem Academy of Music. That’s how I began my studies there. For two years, I played in the academy’s flagship ensemble. The academy funded our flights worldwide, and we represented it in prestigious concerts for government institutions and international audiences. Other students admired us greatly.
  • What are the little touches that make you a Superprof in music?

    I am a musician with over 30 years of experience on saxophone, flute, clarinet, and recorder. I come from a long and rich family tradition of musicians. Studying with me means learning from a true expert—someone with great patience and genuine love for his students and for the wind instruments he teaches.
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